Hansel and Gretel

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Approximate running time: 2 hours 15 minutes, 1 intermission (20 minutes)

Language: In Czech, surtitles in Czech, English

 

Engelbert Humperdinck’s Hänsel und Gretel is one of the most frequently performed operas in Germany. Inspired by the Grimm brothers’ popular fairy tale, the libretto was written by the composer’s sister Adelheid Wette, who modified the rather macabre story, adding the characters of the Sandman and the Dew Fairy, as well as the instrumental dream pantomime scene in the forest, and concluding it with the resurrection of the witch’s victims and the happy reunion between the children and their parents. With the music written in the grand Wagnerian romantic style, Humperdinck’s opera also contains folk rhythms, songs for children and old melodies. The world premiere, in Weimar on 23 December 1893, was conducted by Richard Strauss, totally enraptured by the piece. Enraptured too was the audience, and Humperdinck’s Hänsel und Gretel has ever since remained extremely popular in Germany, where every December it has been performed at more than 35 opera houses. In 1905, the piece was first shown at the Metropolitan Opera in New York, where it has often been staged during Christmas.

 

Our current adaptation of Hänsel und Gretel is directed by Matěj Forman, primarily known to Prague audiences as the designer of the magical scenery for the highly acclaimed productions La Belle et la Bête, A Walk Worthwhile and Enchantia, which he has created in recent years for the National Theatre Opera together with his brother Petr. Matěj Forman and his team’s conception of the musical fairy tale was inspired by the world of itinerant theatre.

 

Suitable for audience from 5 years.

 

Synopsis

 

Act 1

Scene 1: At home

Gretel stitches a stocking, and Hansel is making a broom. Gretel sings to herself as she works. Hansel mocks her, singing to the same tune a song about how hungry he is. He wishes for mother to come home. Gretel tells him to be quiet and reminds him of what father always says: "When the need is greatest, God the Lord puts out His hand." Hansel complains that one cannot eat words, and Gretel cheers him up by telling him a secret: A neighbor has given mother a jug of milk, and tonight she will make a rice blancmange for them to eat. Hansel, excited, tastes the cream on the top of the milk. Gretel scolds him and tells him he should get back to work. Hansel says that he does not want to work, he would rather dance. Gretel agrees, and they begin to dance around.

 

Scene 2

Mother enters, and she is furious when she finds that Hansel and Gretel have not been working. As she threatens to beat them with a stick, she knocks over the jug of milk. Mother sends Hansel and Gretel to the haunted Ilsenstein forest to look for strawberries. Alone, she expresses her sorrow that she is unable to feed her children, and asks God for help.

 

Scene 3

From far off, father sings about how hungry he is. He bursts into the house, roaring drunk, and kisses mother roughly. She pushes him away and scolds him for being drunk. He surprises her by taking from his pack a feast: Bacon, butter, flour, sausages, fourteen eggs, beans, onions, and a quarter pound of coffee. He explains to her that beyond the forest, it is almost time for a festival, and everyone is cleaning in preparation. He went from house to house and sold his brooms at the highest prices. As father and mother celebrate, he suddenly stops and asks where the children are. Mother changes the subject to the broken jug, and after she finishes telling him the story, he laughs, then asks again after the children. She tells him that they are in the Ilsenstein forest. Suddenly scared, father tells her that the forest is where the evil Gingerbread Witch (literally, "Nibbling Witch") dwells. She lures children with cakes and sweets, pushes them into her oven, where they turn to gingerbread, and then eats them. Father and mother rush to the forest to search for their children.

 

Act 2

Scene 1: In the forest. Sunset.

Gretel weaves a crown of flowers as she sings to herself. Hansel searches for strawberries. As Gretel finishes her crown, Hansel fills his basket. Gretel tries to put the crown on Hansel, but, saying that boys do not play with things like these, he puts it on her head instead. He tells her that she looks like the Queen of the Wood, and she says that if that's so, then he should give her a bouquet, too. He offers her the strawberries. They hear a cuckoo calling, and they begin to eat the strawberries. As the basket empties, they fight for the remaining strawberries, and finally, Hansel grabs the basket and dumps the leftovers in his mouth. Gretel scolds him and tells him that mother will be upset. She tries to look for more, but it is too dark for her to see. Hansel tries to find the way back, but he cannot. As the forest darkens, Hansel and Gretel become scared, and think they see something coming closer. Hansel calls out, "Who's there?" and a chorus of echoes calls back, "He's there!" Gretel calls, "Is someone there?" and the echoes reply, "There!" Hansel tries to comfort Gretel, but as a little man walks out of the forest, she screams in terror.

 

Scene 2

The little man turns out to be the Sandman. He calms the frightened children down by telling them that he loves them dearly, and that he has come to put them to sleep. He puts grains of sand into their eyes, and as he leaves they can barely keep their eyes open. Gretel reminds Hansel to say their evening prayer, and after they pray, they fall asleep on the forest floor.

 

Scene 3

Traumpantomime [dream pantomime]. Fourteen angels come out and arrange themselves around the children to protect them as they sleep. They are presented with a gift. The forest is filled with light as the curtain falls.

 

Act 3

Scene 1: In the forest.

The Dew Fairy comes to wake the children. She sprinkles dew on them, sings of how wonderful it is to be alive in the morning with the beauty of the forest surrounding her, and leaves as the children stir. Gretel wakes first, and wakes the sleepy Hansel. They tell each other of their mutual dream, of angels protecting them as they slept.

 

Scene 2

Suddenly they notice behind them a glorious gingerbread house. The roof is slated with cakes, the windows are of licorice, and the walls are decorated with cookies. On the left side is an oven, on the right side is a cage, and around it is a fence of gingerbread children. Unable to resist temptation, they take a little bit of the house and nibble on it.

 

Scene 3

As the children nibble, a voice calls out, "Nibbling, nibbling, little mouse! Who's nibbling on my little house?" Hansel and Gretel decide that the voice must have been the wind, and they begin to eat the house. As Hansel breaks off another piece of the house, the voice again calls out, "Nibbling, nibbling, little mouse! Who's nibbling on my little house?" Hansel and Gretel ignore the voice, and continue eating. The witch comes out of the house and catches Hansel with a rope, As Hansel tries to escape, the witch explains that she is Rosine Leckermaul (literally, "Rosina Tastymuzzle"),[12] , that she likes nothing better than to feed children sweets and She tries to convince Hansel & Gretel to come into her house by offering them Chocolates, Tarts, Marzipans, Turkish Delight, Lollipops, Wedding Cakes, Strawberry Italian Ices, Blancmange, Almonds, Raisins, Peaches & Citrons but Hansel and Gretel are suspicious of the witch, so Hansel frees himself from the rope and he and Gretel begin to run away.

 

The witch takes out her wand and calls out, "Stop!" Hansel and Gretel are frozen to the spot where they stand. Using the wand, the witch leads Hansel to the cage. The witch leaves him stiff and slow of movement. She tells Gretel to be reasonable, and then the witch goes inside to fetch raisins and almonds with which to fatten Hansel. Hansel whispers to Gretel to pretend to obey the witch. The witch returns, and waving her wand, says, "Hocus pocus, holderbush! Loosen, rigid muscles, hush!" Using the wand, the witch forces Gretel to dance, then tells her to go into the house and set the table. Hansel pretends to be asleep, and the witch, overcome with excitement, describes how she plans to cook and eat Gretel.

 

The witch wakes up Hansel and has him show her his finger. He puts out a bone instead, and she feels it instead. Disappointed that he is so thin, the witch calls for Gretel to bring out raisins and almonds. As the witch tries to feed Hansel, Gretel steals the wand from the witch's pocket. Waving it towards Hansel, Gretel whispers, "Hocus pocus, holderbush! Loosen rigid muscles, hush!" As the witch turns around and wonders at the noise, Hansel discovers that he can move freely again.

 

The witch tells Gretel to peek inside the oven to see if the gingerbread is done. Hansel softly calls out to her to be careful. Gretel pretends that she does not know what the witch means. The witch tells her to lift herself a little bit and bend her head forward. Gretel says that she is "a goose" and doesn't understand, then asks the witch to demonstrate. The witch, frustrated, opens the oven and leans forward. Hansel springs out of the cage, and he and Gretel shove the witch into the oven. They dance. The oven begins to crackle and the flames burn fiercely, and with a loud crash it explodes.

 

Scene 4

Around Hansel and Gretel, the gingerbread children have turned back into humans. They are asleep and unable to move, but they sing to Hansel and Gretel, asking to be touched. Hansel is afraid, but Gretel strokes one on the cheek, and he wakes up, but is still unable to move. Hansel and Gretel touch all the children, then Hansel takes the witch's wand and, waving it, calls out the magic words, freeing the children from the spell.

 

Scene 5

Father is heard in the distance, calling for Hansel and Gretel. He and mother enter and embrace Hansel and Gretel. Meanwhile, the gingerbread children pull out from the ruins of the oven the witch, who has turned into gingerbread. Father gathers Hansel, Gretel and the other children around and tells them to look at this miracle. He explains that this is heaven's punishment for evil deeds and reminds them, "When the need is greatest, God the Lord puts out His hand."

Program and cast

Conductor: Richard Hein, Anna Novotná Pešková

Papa: Jiří Hájek, Svatopluk Sem, Csaba Kotlár

Mama: Veronika Hajnová, Jana Sýkorová

Hänsel: Arnheiður Eiríksdóttir, ,Michaela Zajmi

Gretel: Lada Bočková, Yukiko Kinjo

Witch: Martin Šrejma, Vít Šantora

Fairy: Lenka Pavlovič, Lucie Silkenová

 

Libretto adaptation - Matěj Forman, Andrea Sodomková, Radek Malý

Transversification - Radek Malý

Stage director - Matěj Forman

Sets - Matěj Forman, Andrea Sodomková

Costumes - Andrea Sodomková

Choreography - Veronika Švábová

Chorus master - Adolf Melichar

Dramaturgy - Beno Blachut

 

State Opera Orchestra
Prague Philharmonic Children's Choir

Photo gallery
Zdeněk Sokol
© Zdeněk Sokol
Zdeněk Sokol
© Zdeněk Sokol
Zdeněk Sokol
© Zdeněk Sokol
Zdeněk Sokol
© Zdeněk Sokol

Prague State Opera

The State Opera today

 

The State Opera (formerly the State Opera Prague, between 1948 and 1992 the Smetana Theatre, and originally the New German Theatre) has been a part of the National Theatre since 2012. The Opera and Ballet ensembles give repertory performances at the State Opera.

 

History

 

The Prague State Opera resides in the building which on January 5, 1888 was opened as a Prague German stage with the performance of Wagner’s opera, The Mastersingers of Nürnberg. In the 19th century, Prague Germans performed in the Estate’s Theater in alternation with a Czech company. Desire for their own theater led to negotiations in 1883 for the construction of a new theater building for the German Theater Association. Over the next three years, a blueprint was drawn up and handed over to the Vienna atelier of Fellner and Hellmer. Also sharing in the design was the architect of the Vienna Municipal Theater, Karl Hasenauer, while Prague architect Alfons Wertmüller took part in the construction. Financing came from private collections. With its spacious auditorium and neo-Rococo decoration, this theater building is among the most beautiful in Europe.

 

Access:

 

By car

On Wilsonova street, from the left lane close to the State Opera building take the slip road to the Slovan above-ground garage. The parking fee is 40 CZK/h.

 

By tram

 

By daytime tram No. 11 to the stop “Muzeum”, through the underpass beneath Legerova street in the direction of the NationalMuseum, at the crossroads turn right along the NewBuilding of the NationalMuseum.

 

By daytime trams Nos. 3, 9, 14 and 24 or night trams Nos. 51, 52, 54, 55, 56 and 58 to the stop “Václavské náměstí”, then by foot uphill on the left side of the Wenceslas Square to the traffic lights across Wilsonova and Vinohradská streets. Then turn left along the NewBuilding of the NationalMuseum.

 

By metro

To the “Muzeum” station, lines A and C (green and red), and then by foot along the NewBuilding of the NationalMuseum.

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