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© Martin Špelda
Our Uppish and Defiant Fellows
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 February 2035 | ||||||
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Mo | Tu | We | Th | Fr | Sa | Su |
The councillors of Honice are to elect a bellman, the person responsible for security in the village. The task is formidable, with two strong candidates running for office – the veteran soldier Valentin Bláha and the tailor František Fiala. What is more, the mayor, Filip Dubský, and the first councillor, Jakub Bušek, obstinately sit tight, neither of them willing to compromise. The fraught situation is further aggravated by the municipal council receiving an anonymous letter threatening arson. A plethora of human types is presented on the stage – the “important persons” and their wives, old-timers, young lovers, lowlifes, pig-headed dimwits, tenacious truth-seekers and enthusiastic dupes. All of them live their little lives and great dreams, all of them desire, fight and argue, while the Red Rooster hovers above their roofs … Some 135 years after it was written, Our Uppish and Defiant Fellows is still a fascinating Czech play, a play about ourselves across generations and eras, a play in which the contest for the post of bellman becomes a gigantic struggle for truth and honesty.
In 1887, Ladislav Stroupežnický (1850–1892), an ambitious unyielding dramatist with a restless poetic spirit, a brilliant observer of life in the Czech countryside, referred to his new play as a “contemporary comedy”. The premiere of Our Uppish and Defiant Fellows gave rise to uproar and disputes, provoking outrage due to the author’s uncompromising view, yet also admiration for its forcible and non-idealised depiction of life in a Czech village. Stroupežnický’s text would become immortal, and self-conceit and defiance would become symbols of the Czech national identity. The National Theatre has presented a number of adaptations of the play, including highly popular productions by Miroslav Macháček (1979) and, most recently, J. A. Pitínský (2004). Our new staging has been undertaken by Martin Františák, whose continuous work with rural subjects has earned him the reputation of a creator of impressive poetic folk images, as well as a satirist exposing the true reality of life in a Czech village.
Program and cast
Approximate running time: 2 hours 40 minutes, 1 intermission (20 minutes)
Language: In Czech, surtitles in English, German
Filip Dubský, farmer, Mayor of Honice - David Matásek
Marie Dubská, wife of Filip - Martina Preissová
Václav, son of Filip and Marie - Šimon Krupa
Petr Dubský, father of Filip, farm keeper -František Němec
Jakub Bušek, farmer, first councillor of Honice - Ondřej Pavelka
Františka Bušková, wife of Jakub - Taťjana Medvecká
Verunka, daughter of Jakub and Františka - Marie Poulová
Valentin Bláha, military veteran - Radúz Mácha
Josef Habršperk, cobbler - Ondřej Malý
František Fiala, tailor - Igor Orozovič
Terezka, wife of František - Magdaléna Borová
Kristyna, daughter of František and Terezka - Eliška Friedrichová
Matěj Šumbal, farmer, member of the municipal committee - Filip Kaňkovský
Marie, wife of Matěj - Lucie Polišenská
Pavel Kožený, farmer, member of the municipal committee - Vladislav Beneš
Kašpar Šmejkal, farmer, member of the municipal committee - Marek Daniel
Karel Kudrlička, teacher in Radotice, scrivener of Honice - Matyáš Řezníček
Marek Ehrmann, inn owner in Honice - Csongor Kassai
Markýtka Nedochodilová, travelling saleswoman, trading in wooden utensils - Pavla Beretová
Filip Fiala - Josef Bánovec
Policeman - Martin Veliký
Prague National Theatre
The National Theatre today
The historical building of the National Theatre, constructed in 1883, is generally considered the prime stage in the CzechRepublic. It is the flagship of the National Theatre institution, today amounting to five buildings and encompassing four companies. You can see there Opera, Drama and Ballet performances.
Idea of building a stately theatre for the Czech nation
The National Theatre is the embodiment of the will of the Czech nation for a national identity and independence. Collections of money among the broad mass of the people facilitated its construction and hence the ceremonial laying of its foundation stone on 16 May 1868 was tantamount a nationwide political manifestation.
The idea of building a stately edifice to serve as a theatre was first mooted in the autumn of 1844 at meetings of patriots in Prague. It began to materialise through a request for “the privilege of constructing, furnishing, maintaining and managing” an independent Czech theatre, which was submitted to the Provincial Committee of the Czech Assembly by František Palacký on 29 January 1845. The privilege was granted in April 1845. Yet it was not until six years later – in April 1851 – that the Society for the Establishment of a Czech National Theatre in Prague (founded in the meantime) made its first public appeal to start collections. A year later the proceeds of the first collections allowed for the purchase of land belonging to a former salt works with the area of less than 28 acres, which predetermined the magnificent location of the theatre on the bank of the river Vltava facing the panorama of Prague Castle, yet at the same time the cramped area and trapezoidal shape posed challenging problems for the building’s designers.
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To the centre (OldTown), approach on Masarykovo nábřeží (Masaryk embankment) in the direction from the Dancing House, at the crossroads in front of the National Theatre turn right to Divadelní street and then right again to Ostrovní street to the National Theatre car park. Parking costs 50 CZK/h.
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By metro
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