Ariadne auf Naxos
Mo | Tu | We | Th | Fr | Sa | Su |
National Theatre Orchestra
In the early 20th century, Richard Strauss shocked theatre-goers with two one-act operas, Salome and Elektra, that to an unprecedented degree conveyed heightened emotions by means of wild, ear-splitting musical expression, reaching sonic extremities. Yet the composer subsequently decided to change the style and make a conciliatory step towards opera audiences. First he wrote Der Rosenkavalier, a still widely popular piece, in which, however, the quintessential Straussian bustle both in the orchestra and on the stage still predominates, followed by the far more intimate and far more serene Ariadne auf Naxos. The latter’s original version, dating from 1912, was conceived as a postlude to Hugo von Hofmannsthal’s adaptation of Molière’s play Le Bourgeois gentilhomme, but in 1916 Strauss revised it into the form of an independent opera, in which it is most frequently performed today. Even though not anyhow indicated by the title, the principal theme of Ariadne auf Naxos is the competition and respect between “high” and “low” art. What is more, Strauss also reveals the timeless boorishness of those who, aiming to improve their poor cultural status, resolve to become “patrons of the arts”.
The spectators of Strauss’s piece have a choice – like when switching between television channels, for a while they watch a serious opera about Ariadne, abandoned by her lover, and for a while a low-brow farce about the frolicsome Zerbinetta. Thus was the decision taken by the wealthy host of the bizarre performance, which cannot run a millisecond longer than scheduled, as art will be followed by fireworks and supper …
Strauss’s “comedy/tragedy” is returning to the National Theatre in Prague after 45 years, this time as staged by the Slovak director Sláva Daubnerová, who has previously created for us several acclaimed adaptations of operas, including of Leoš Janáček’s The Excursions of Mr. Brouček and Rodion Shchedrin’s Lolita.
Program and cast
Cast
Conductor
Robert
Jindra
Hofmeister
Dagmar
Pecková
Music master
Pavol
Kubáň
The composer
Arnheiður
Eiríksdóttir
The tenor (The Bacchus)
Magnus
Vigilius
An officer
Raman
Hasymau
A wigmaker
Radek
Martinec
The major-domo
Martin
Matoušek
The dancing master
Jaroslav
Březina
Zerbinetta
Ziyi
Dai
Ariadne
Cornelia
Beskow
Harlequin
Lukáš
Bařák
Roman
Hoza
Scaramuccio
Josef
Moravec
Truffaldino
Jan
Hnyk
Brighella
Daniel
Matoušek
Naiad
Lenka
Máčiková
Dryad
Michaela
Zajmi
Echo
Yukiko
Kinjo
Creatives
Stage director
Sláva Daubnerová
Sets
Lucia Škandíková
Costume design
Tereza Kopecká
Lighting design
Daniel Tesař
Videoart
Dominik Žižka
Chorus master
Lukáš Kozubík
Dramaturgy
Ondřej Hučín
Estates Theatre
The Estates Theatre today
The Estates Theatre is one of the most beautiful historical theatre buildings in Europe. It has been part of the National Theatre since 1920. The Opera, Drama and Ballet ensembles give repertory performances at the Estates Theatre.
History
The Estates Theatre is one of the most beautiful historic theatre buildings in Europe. Its construction was initiated by the enlightened aristocrat František Antonín Count Nostitz Rieneck, led by the desire to aggrandise his native city as well as the souls of its inhabitants. The construction lasted less than two years and the Theatre was opened in 1783. This project, extremely important for the Prague of the time, was in keeping with the zeitgeist of the late 18th century, a time when national theatres were being built at European courts, royal seats and cultural centres in the spirit of the Enlightenment idea that a generally accessible theatre is a moral institution demonstrating the cultural level of the nation.
The first, sporadic Czech-language performances took place in 1785. From 1812 onwards there were regular Sunday and holiday matinees. At that time, these performances became to a certain degree a political matter too. Thus arising in the difficult years following the failed revolution in 1848 was the idea of a Czech National Theatre.
By car to the National Theatre car park
To the centre (OldTown), approach on Masarykovo nábřeží (Masaryk embankment) in the direction from the Dancing House, at the crossroads in front of the National Theatre turn right to Divadelní street and then right again to Ostrovní street to the National Theatre car park. Parking costs 50 CZK/h.
From there, walk to the Estates Theatre along Národní street, then 28. října street, turn left on to Na Můstku street and right to Rytířská street.
Other nearby secure car parks:
Kotva department store (Revoluční 1/655, Prague 1), then walk along Králodvorská street to Ovocný trh.
Palladium department store (Na Poříčí 1079/3a, Prague 1), then walk along Králodvorská street to Ovocný trh, or to the Powder Gate through Celetná street to Ovocný trh.
By tram
By daytime trams Nos. 6, 9, 18 and 22 or night trams Nos. 53, 57, 58 and 59 to the stop “Národní třída”, then by foot along Národní street, then 28. října street, turn left to Na Můstku street and right to Rytířská street.
By daytime trams Nos. 5, 8, 14 and 26 or night trams Nos. 51, 54 and 56 to the stop “Náměstí Republiky”, then on foot around the Municipal House to the Powder Gate, on Celetná street to Ovocný trh.
By daytime trams Nos. 3, 9, 14, 24 or night trams Nos. 52, 54, 55, 56 and 58 to the stop “Jindřišská”, then on foot along Nekázanka / Panská streets, turn left to Na Příkopě street and then right to Havířská street (from Na Příkopě street you can also walk through the Myslbek arcade).
By metro
To the station “Můstek”, lines A and B (green and yellow), then on foot through Na Můstku street and right to Rytířská street.
Performances: Tu 19 Dec 2023, 10:00
Performances: Sa 09 Dec 2023,
Performances: Mo 25 Dec 2023, 11:00 - 13:00
Performances: Fr 22 Dec 2023,
Performances: Th 01 Feb 2024,
Performances: Mo 11 Dec 2023,