Ariadne auf Naxos

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National Theatre Orchestra

In the early 20th century, Richard Strauss shocked theatre-goers with two one-act operas, Salome and Elektra, that to an unprecedented degree conveyed heightened emotions by means of wild, ear-splitting musical expression, reaching sonic extremities. Yet the composer subsequently decided to change the style and make a conciliatory step towards opera audiences. First he wrote Der Rosenkavalier, a still widely popular piece, in which, however, the quintessential Straussian bustle both in the orchestra and on the stage still predominates, followed by the far more intimate and far more serene Ariadne auf Naxos. The latter’s original version, dating from 1912, was conceived as a postlude to Hugo von Hofmannsthal’s adaptation of Molière’s play Le Bourgeois gentilhomme, but in 1916 Strauss revised it into the form of an independent opera, in which it is most frequently performed today. Even though not anyhow indicated by the title, the principal theme of Ariadne auf Naxos is the competition and respect between “high” and “low” art. What is more, Strauss also reveals the timeless boorishness of those who, aiming to improve their poor cultural status, resolve to become “patrons of the arts”.

The spectators of Strauss’s piece have a choice – like when switching between television channels, for a while they watch a serious opera about Ariadne, abandoned by her lover, and for a while a low-brow farce about the frolicsome Zerbinetta. Thus was the decision taken by the wealthy host of the bizarre performance, which cannot run a millisecond  longer than scheduled, as art will be followed by fireworks and supper … 

Strauss’s “comedy/tragedy” is returning to the National Theatre in Prague after 45 years, this time as staged by the Slovak director Sláva Daubnerová, who has previously created for us several acclaimed adaptations of operas, including of Leoš Janáček’s The Excursions of Mr. Brouček and Rodion Shchedrin’s Lolita.

Program and cast

Cast

Conductor

Robert
Jindra

Hofmeister

Dagmar
Pecková

Music master

Pavol
Kubáň

The composer

Arnheiður
Eiríksdóttir

The tenor (The Bacchus)

Magnus
Vigilius

 

An officer

Raman
Hasymau

A wigmaker

Radek
Martinec

The major-domo

Martin
Matoušek

The dancing master

Jaroslav
Březina

Zerbinetta

Ziyi
Dai

Ariadne

Cornelia
Beskow

Harlequin

Lukáš
Bařák

Roman
Hoza

Scaramuccio

Josef
Moravec

Truffaldino

Jan
Hnyk

Brighella

Daniel
Matoušek

Naiad

Lenka
Máčiková

Dryad

Michaela
Zajmi

Echo

Yukiko
Kinjo

Creatives

Stage director

Sláva Daubnerová

Sets

Lucia Škandíková

Costume design

Tereza Kopecká

Lighting design

Daniel Tesař

Videoart

Dominik Žižka

Chorus master

Lukáš Kozubík

Dramaturgy

Ondřej Hučín

Estates Theatre

The Estates Theatre today

 

The Estates Theatre is one of the most beautiful historical theatre buildings in Europe. It has been part of the National Theatre since 1920. The Opera, Drama and Ballet ensembles give repertory performances at the Estates Theatre.

 

History

 

The Estates Theatre is one of the most beautiful historic theatre buildings in Europe. Its construction was initiated by the enlightened aristocrat František Antonín Count Nostitz Rieneck, led by the desire to aggrandise his native city as well as the souls of its inhabitants. The construction lasted less than two years and the Theatre was opened in 1783. This project, extremely important for the Prague of the time, was in keeping with the zeitgeist of the late 18th century, a time when national theatres were being built at European courts, royal seats and cultural centres in the spirit of the Enlightenment idea that a generally accessible theatre is a moral institution demonstrating the cultural level of the nation.

The first, sporadic Czech-language performances took place in 1785. From 1812 onwards there were regular Sunday and holiday matinees. At that time, these performances became to a certain degree a political matter too. Thus arising in the difficult years following the failed revolution in 1848 was the idea of a Czech National Theatre.

 

 

By car to the National Theatre car park

To the centre (OldTown), approach on Masarykovo nábřeží (Masaryk embankment) in the direction from the Dancing House, at the crossroads in front of the National Theatre turn right to Divadelní street and then right again to Ostrovní street to the National Theatre car park. Parking costs 50 CZK/h. 

From there, walk to the Estates Theatre along Národní street, then 28. října street, turn left on to Na Můstku street and right to Rytířská street. 

 

Other nearby secure car parks:

Kotva department store (Revoluční 1/655, Prague 1), then walk along Králodvorská street to Ovocný trh.

Palladium department store (Na Poříčí 1079/3a, Prague 1), then walk along Králodvorská street to Ovocný trh, or to the Powder Gate through Celetná street to Ovocný trh.

 

By tram

By daytime trams Nos. 6, 9, 18 and 22 or night trams Nos. 53, 57, 58 and 59 to the stop “Národní třída”, then by foot along Národní street, then 28. října street, turn left to Na Můstku street and right to Rytířská street.

By daytime trams Nos. 5, 8, 14 and 26 or night trams Nos. 51, 54 and 56 to the stop “Náměstí Republiky”, then on foot around the Municipal House to the Powder Gate, on Celetná street to Ovocný trh.

By daytime trams Nos. 3, 9, 14, 24 or night trams Nos. 52, 54, 55, 56 and 58 to the stop “Jindřišská”, then on foot along Nekázanka / Panská streets, turn left to Na Příkopě street and then right to Havířská street (from Na Příkopě street you can also walk through the Myslbek arcade).

 

By metro

To the station “Můstek”, lines A and B (green and yellow), then on foot through Na Můstku street and right to Rytířská street.

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